13 Things Rich People Don’t Spend Their Money On, While Poor People Are Ready to Take Out Loans for Them

There are things that speak to a person’s financial wealth. Usually, they are things like fur coats, fine jewelry, and expensive watches. Some poor people are ready to save their money for years or even take out loans to be able to buy these things. However, rich people around the world have gradually stopped indicating their social status this way.

We at Bright Side are big supporters of sensible spending and that’s why we want to highlight symbols of wealth that are not trendy anymore. There are still many people who haven’t realized this yet.

1. Gold jewelry

Stylish and wealthy women usually wear a moderate amount of gold jewelry when attending events. In addition, the quality of these items is the biggest priority for them. Some of them even prefer large jewelry.

For those whose financial position is not stable, buying gold is still considered an investment. It is believed that by buying a gold item, you create a stash for rainy days in the form of a gold chain or a ring. That’s why poor girls prefer to wear jewelry with the mantra: “I’m wearing the best of what I have.”

2. Clothes and shoes from expensive brands

Oftentimes, even very wealthy people are indifferent to branded clothing and wear ordinary, mass-market jeans and sweaters that are basic items in their wardrobe and in their everyday life. In one of his interviews, Bill Gates outlined that the watch on his wrist cost $10, despite the fact that he could afford millions of watches from the most famous brands. Instead of shopping, rich people try to explore the other pleasures that life has to offer, like entertainment and travel. This means more to them than a brand new bag.

3. Plastic surgery

Earlier, plastic surgery was pretty popular around the world — everyone wanted to have a perfect body and a flawless face. Rich men would even offer to pay for the transformation of their “chosen ones,” while the girls didn’t mind at all. Today more and more celebrities and wealthy people are against plastic surgery and are promoting having love for one’s body and wrinkles.

Meanwhile, many girls are still ready to cut back on a lot of things in order to save enough money for lip and breast surgeries, as well as other procedures that could help them look young and meet the current understanding of beauty ideals, which are actually fading into the past.

4. Fur coats

Famous designers and their wealthy clients are refusing to wear fur coats, since they believe that it is unethical to wear them. There were cases when animal advocates poured paint on girls who were wearing fur coats. In addition, California state has a law banning the wearing and selling of natural fur.

But fur coats are still considered a luxury item and an indicator of social status for some girls. However, theoretically, they can be easily replaced by frost-resistant down jackets, winter coats, or warm fur coats that are made of artificial fur.

5. Flying in business class

Rational people around the world want to travel modestly, even if they have the financial ability to pay more. For example, the founder of IKEA, Ingvar Kamprad, believes that flying business class is an unnecessary luxury, that’s why all IKEA employees, despite their level, fly in economy class and stay in inexpensive hotels.

However, many people with a moderate income are ready to overpay for a trip in business class, despite the fact that prices for air tickets continue to rise and business class tickets have seen the highest increases. In fact, thanks to the existence of expensive business class fares, airlines can keep affordable fares for economy class. When we know about this fact, business class flights stop looking so attractive.

6. Home appliances

Wealthy people don’t strive to buy the latest models of home appliances. If the previous model they bought still works perfectly, they see no need to buy a new one. At the same time, this rule is constantly broken by people with an average income — consumer loans are taken out for any household appliances and gadgets.

This also relates to “one-time” home appliances like waffle irons, pancake makers, ice cream makers, and fondue pots, as well as massagers with 15 nozzles. Most often, people use these super devices only one or 2 times, and afterward they just lie on a shelf and “stare” at their owners with dumb reproach for insensibly spent money.

7. A lot of knick-knacks

Successful people try to keep minimalism in their home’s design. Rich people increasingly prefer simplicity in their interiors, so as not to be distracted by household items and so they don’t waste time choosing and buying furniture, or repairing it. It helps them free up time for family, relationships, meeting friends, and work.

Oftentimes, the middle class try to fill their houses with various interior details and the latest trendy things. They strive to constantly improve their interior, distracting themselves from the really important immaterial things.

8. A big house

Wealthy people prefer to buy promising real estate, for little money, in order to make a profit when it grows in price. For example, billionaire Warren Buffett still lives in the same modest house that he bought in 1958. His cozy house in Nebraska state only cost him $30,000, today it’s estimated to be worth $650,000.

A Mexican billionaire whose fortune is estimated at $50 billion, also lives in a modest house that was bought long ago and avoids expensive things. Amancio Ortega, the founder of the Zara clothing store chain, also didn’t let his success infatuate him — he and his wife live in an ordinary house in Spain. A professor at Stanford University, David Cheriton, who owns $1.3 billion in Google shares, once said in his interview, “These people who build houses with 13 bathrooms and so on, there’s something wrong with them.”

The middle class, in contrast, is mainly driven by the saying, “Every man should plant a tree, build a house, and give birth to a son.” That’s why the life of many people starts to center around the construction of a big house, that sometimes doesn’t stop until the kids grow up. It takes a lot of money, time, and energy, while the expenses for maintaining the house itself and its territory take a big part of their income.

9. Luxury cars

Nowadays, wealthy people don’t buy new car brands if their own car is in good condition and meets all their needs. Even Facebook owner, Mark Zuckerberg, drives a Volkswagen with a manual transmission and says he never cared about “looking” rich.

However, many people around the world use expensive cars to boost their self-esteem and even not having the money to buy or maintain a vehicle like this doesn’t prevent them from getting one. They just take out car loans.

10. An expensive education

Millionaires know that a free education doesn’t differ much from an expensive one, while success in life is obtained by discipline, determination, and perseverance. In addition, nowadays big international companies are ready to hire young people for work, if they have the necessary knowledge. This means that professional experience and real skills are becoming more important than a college diploma.

At the same time, many people believe that if they pay for an education and get a diploma, they are buying a ticket to a successful life. As a result, young people take out huge loans to pay for their education, but after graduation, they have to work outside of their specialty for the next 5-10 years to pay back the loan to the bank, which means they spend the most precious years of their life doing this.

11. Buying lots of toys for their kids

Successful people came to the conclusion that they could harm their children by buying toys in unlimited quantities. Research proves it too: 36 children were offered the chance to play for half an hour with 4 or 16 toys. It was found that the kids from the first group (the ones who had 4 toys) showed more creativity and came up with more interesting ideas using fewer objects. If parents spend time with their kids and pay more attention to them, they will develop faster than if they are simply playing with a lot of toys.

At the same time, most parents admit that their kids are literally snowed under toys: their stuffed toys are so big that they require a separate apartment, their amount of dolls is so big that they could build a doll army, there are so many Legos that it’s possible to build a 2-story house out of them. Kids don’t have time to dream — they have everything and all their wishes come true too quickly. That’s the way parents show their love to their kids and give them the things they themselves didn’t have in their childhood.

12. Training and courses

Personal growth courses are a business, and the coaches there are not interested in the effective development of their clients. Because of this, it is impossible to transform your life drastically with the help of a training session like this. Successful people know that you can only change your life by continuously working on yourself and your goals.

At the same time, these courses have become incredibly popular among people who are planning to become successful. Even though their cost is pretty high, tickets are still sold really quickly. Poor people are often trying to find a magic pill that will change their life for the better. When one pill doesn’t work, they start to seek help from another coach.

13. The beauty sphere

Today, the natural color of nails speaks to privilege and wealth. Successful women prefer a neat, natural nail, in a modest pastel or nude shade that looks nice.

But many girls want to be sure that their manicure is noticeable by everyone around them, which is why they often opt for brighter colors of nail polish, unique designs with rhinestones, and extreme lengths. If the length is not enough, they go for artificial nails. This style is often chosen by middle class women who want to show that they have an idle and relaxed lifestyle.

Which things do you consider a part of your social status and are you not ready to give up?

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Tales of Rock: SPECIAL REPORT – Aerosmith Rejects its Drummer Joey Kramer Before this Weekend’s Performance at the Grammys

This is a travesty!!!

There’s a big controversy in the Aerosmith camp as the Rock Hall of Fame band celebrates its 50th anniversary this year.

The band reportedly will not let founding drummer Joey Kramer perform this weekend when Aerosmith is honored as the Recording Academy’s MusiCares Person of the Year in a fundraiser on Friday and again on Sunday’s Grammy Awards.

According to TMZ, Kramer suffered a shoulder injury last year that required him to miss several shows in April during Aerosmith’s residency in Las Vegas. His drum tech, John Douglas, filled in.

However, Kramer did perform with Aerosmith in July at the Twin Cities Summer Jam. No one seemed to complain about his performance.

This month, Kramer was required to “audition” for his own job by playing to a click track, and he apparently did not pass the test.

He has filed a lawsuit and issued the following statement:

“The fact that I would be asked to audition for my own job, demonstrate that I can play at ‘an appropriate level’ and play better than my temporary fill-in with a moving target of made-up standards is both insulting and upsetting. Other band members and their lawyers will likely attempt to disparage my playing and claim that I am unable to play the drums right now. Nothing could be further from the truth. I did everything they asked – jumped through hoops and made both a recording of playing along solo to a recent live recording of the band – one I had never heard before, and that process was videotaped. But I did it, and I did it well.”

Kramer added: “Being prohibited from playing with a band that I have given 50 years of my life to supporting, is beyond devastating.”

This may be the craziest development in the crazy life of Aerosmith since the impatient band auditioned potential temporary new singers in 2009 when Steven Tyler was off in Hollywood being a judge on “American Idol.”

On Sunday’s Grammy Awards, Aerosmith is expected to play “Walk This Way” with Run D.M.C.

 

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Tales of Rock: Meet Connie Hamzy — Rock And Roll’s “Most Notorious Groupie” And Bill Clinton’s First Sex Scandal

There was one drummer who got away, though. “I haven’t had Neal Peart. That I regret,” she said.

“Sweet” Connie Hamzy Parente (born January 9, 1955), also called “Sweet Sweet” Connie or Connie Flowers, is an American woman who is known as a groupie who claims to have had sex with numerous rock musicians. Hamzy also received some attention for her claim that she was propositioned by Bill Clinton, then governor of Arkansas.

Connie Hamzy Parente
Born
Connie Parente

January 9, 1955(age 64)

Little Rock, Arkansas
Occupation Media personality, groupie

She is mentioned in Grand Funk Railroad’s song “We’re an American Band” (“Sweet, sweet Connie, doin’ her act/ She had the whole show and that’s a natural fact.”)

Hamzy personally claims to have given oral sex to various members of the many bands that have traveled through Little Rock. Her alleged groupie escapades were detailed in a Cosmopolitan profile in 1974, and in 1992 she wrote a tell-all article for Penthouse.

In 1991, Hamzy was briefly in the news due to her claim that, in 1984, she had been approached by an Arkansas state trooper on behalf of Bill Clinton. She claimed that she and Clinton had looked for “a place where they could have some privacy for an assignation, but couldn’t find one.” George Stephanopoulos later recounted that Clinton told him a different story of his meeting with Hamzy. According to Clinton, Hamzy had approached him in a hotel lobby, flipped down her bikini top, and asked him, “What do you think of these?” Stephanopoulos secured affidavits from three people who had been accompanying Clinton and confirmed Clinton’s recollection. When asked about Hamzy by reporters, Stephanopoulos responded by denying the story off the record and offering to provide the affidavits, also off the record. Although CNN Headline News reported Hamzy’s allegations once, neither CNN nor other mainstream news organizations pursued the story further.[2]

Hamzy published a memoir in 1995 under the title Rock Groupie: The Intimate Adventures of “Sweet Connie” from Little Rock.

In 1996, Hamzy sought to run as an independent for the United States House of Representatives from Arkansas’ 2nd congressional district, but ultimately did not appear on the general election ballot.

Hamzy was featured in a segment of the Insomniac with Dave Attell episode in Little Rock.

Image result for connie hamzy

She was also interviewed on the Howard Stern Show on December 4, 1991, and again on December 8, 2010

As long as there’s an American band around, Connie Hamzy will keep “doin’ her act.”

Connie Hamzy, born Jan. 9, 1955, in Little Rock, Ark., has collected several nicknames over the years. Some call her Connie Flowers, “Sweet” Connie Hamzy, “Sweet Sweet” Connie, or just simply “Sweet Sweet.” A prominent rock groupie, her celebrity status was solidified in two lines from the Grand Funk Railroad’s 1973 song, “We’re an American Band,” which became the group’s first number one single:

“Sweet, sweet Connie, doin’ her act
She had the whole show and that’s a natural fact.”

Connie Hamzy’s early escapades

Bands she was allegedly associated with include Led Zeppelin, the Eagles, Bad Company, ZZ Top, and the Doobie Brothers. In 2005, Spin dubbed her“the world’s most notorious rock’n’roll groupie.” But she wasn’t just a 70s groupie. Hamzy was in it for the long haul.

Hamzy was only 15 years old when she was with her first rock star, the drummer for Steppenwolf, Jerry Edmonton. Then she moved onto to Keith Moon of The Who and John Bonham of Led Zeppelin.

Drummers soon became her niche. “The drummers gravitated to me because they wanted to hear about John Bonham and Keith Moon,” she told Howard Stern in an interview. There was one drummer who got away, though. “I haven’t had Neal Peart. That I regret,” she said.

In the 1980s, while her fellow groupie comrades like Pamela Des Barres and Bebe Buell slowly drifted out of the scene to start families or write books about their wild exploits, Hamzy continued her groupie lifestyle into the 90s.

Connie Hamzy’s affair with politics

Connie Hamzy

In fact, some of the biggest waves she made came in 1991, shortly after Bill Clinton declared his candidacy for the presidential nomination. In a tell-all published by Penthouse magazine, Hamzy alleged that in 1984 she had an encounter with Clinton in a North Little Rock hotel while he was governor of Arkansas and married to Hillary Clinton. Hamzy said Bill spotted her while she was sunbathing by the hotel pool. The two of them went into the laundry room and fondled each other until they were abruptly interrupted.

Hamzy said that the incident fell on deaf ears. Political journalist George Stephanopoulos got affidavits from three individuals who said she approached Clinton and he rebuffed her. CNN picked up the story but dropped it after the affidavits were produced.

In 1995, she wrote a book titled Rock Groupie: The Intimate Adventures of “Sweet Connie” from Little Rock, but her love for rock stars didn’t stop. In her 2005 interview with Spin, when she was 50 years old, she told a story of a recent encounter with Neil Diamond while she was hanging on a tour bus.

“Then he gets high with us and disappears backstage. A few minutes later, his manager says he wants to see me in his dressing room. So I knock on the door, and there’s Neil waiting for me in a blue robe.”

It wasn’t an unlikely encounter, given that Hamzy was reportedly backstage at every Arkansas gig well into the new millennium. “She’s a legend in Little Rock,” said Chris King, owner of the local music venue Sticky Fingerz.

Howard asked if Connie ever felt insulted that the rockers just passed her around like a plate of potatoes. “Well, a plate of good potatoes,” she replied.

Connie Hamzy, now 63, was back in the news in October of 2016, when she rehashed the sexual episode with Bill Clinton. She took a polygraph test about the alleged Clinton scandal and mailed the results over to Donald Trump’s campaign, who she gave her full support to.

This is Connie now.

Image result for connie hamzy

“Rock and Roll devours it’s own young.”Phicklephilly

 

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Tales of Rock: Rob Halford Reflects on Fifty Years of Judas Priest

I LOVE JUDAS PRIEST!

When Rob Halford, one of the world’s most notable voices in heavy metal says, “You and I may be seeing Wickedtogether,” you might be just a little bit confused and a little bit star struck. I had the privilege of speaking to the Judas Priest front man the day before my birthday, and he asked me what I was planning to do to celebrate. Upon answering truthfully that I was going to see a play, we began our in depth discussion talking about our adoration of the theater and Broadway shows—specifically, Wicked. I just so happen to have seen The Wizard of Oz reimagined show on Broadway, as well as having read the books it’s based off of—just as Rob has; he was desperately trying to fit seeing the touring version of show into his schedule—prior to embarking on a tour himself.

If you couldn’t already tell, Rob Halford and I had a conversation that was bursting with energy, honesty, and creativity from start to finish—similar to that of his still-going-strong musical career with Judas Priest—50 years since they formed and changed hard rock music and the metal scene as the world knew it.

You have one of the most distinct voices in rock. When did you know you sing? Or, I should ask, when did you know that you had such a range and vocal ability?

Well, I didn’t really discover all the range and all of the possibilities that the voice has given me until I started kind of playing around in the beginning with the very early bands that I worked with. You’ve probably heard names like Hiroshima and Lord Lucifer and Athens Wood, and I think a lot of musicians, before they have the chance and the good luck and good fortune to become professional—no matter what you are, singer, drummer, guitar player—you all kind of find out what your abilities are in those early experiences. That is how it was for me, really, Debra. I’m probably talking about my late teens, before I went into the twenties. Those bands that I worked with weren’t metal bands, they were more like progressive/blues/rock bands, and so we did a lot of covers, but we also tried to write our own songs, as well. That is pretty much when I discovered the voice and what potential it had. Having said that, all of the wonderful producers that I’ve worked with since becoming a professional musician, including recently with Andy [Sneap] and Tom [Allom] and Mike [Exeter]… great producers will find things about you that are in you that you don’t even know exist. That’s why even the acts that have been around for the longest time need a unique producer, because a producer will get things from you that you won’t be able to find for yourself. That’s basically it. It’s a never ending journey, to be honest.

Oh, absolutely. Now, speaking of the bands that you were in before Judas Priest, did you take anything from those bluesy, progressive groups and those experiences and implement them into your career as a metal and heavy rock musician?

Absolutely! When I was a kid we had the old black and white TV in the house we would sit around as a family—there really wasn’t much going on the TV at the same, we only had one national television broadcasting company, which was the BBC and is still there, and there was one entertainment, commercial network called iTV on the British television, of whom are still there even though they morphed—but, generally, the weekends were known for kind of just sitting around the TV like families used to, and you would watch the TV. More often than not there would be an American movie on, and it could have been anything. Talking about Wicked, it could have been The Wizard of Oz or it could have been Meet Me in St. Louis. What I’m saying is that as a kid, you really soak things up when it comes to creativity and exploring…  musicals and films and whatever it might be… all that visual stuff. My mum and dad were very much particular with their tastes, so I’m kind of quite grateful for them for my viewings, because I took it with me. I know I took it with me, because when you and I were just talking briefly about Broadway and show business in general, I was able to show that, yes, I love all of the great singers of the world of all genres; whether it’s Michael Bublé or Barbara Streisand or Michael Feinstein or John Cafferty or The Grass Roots or Barry Manilow, Elvis, Frank Sinatra. It’s all of it, you know? Whenever I talk with my friends about other singers, I always emphasize that it’s great to have a favorite rock or metal singer, but the human voice is a remarkable instrumental and you can do many, many things with it if you take off the blinkers and get out of the box and just listen to everything else that surrounds you.

Right, and being a singer doesn’t necessarily mean that you have to stick to the genre that you’re used to, or you like. You can mix rock with pop, folk, blues, and more to create your own sound.

Exactly, exactly, and this is the blessing of being in a band like Judas Priest, because, say, on this recent record, the guys took me on a journey with my voice; whether it was the intense performance of the “Firepower” track or the very emotionally demanding ballad at the very end of the record called “See it Red.” I loved to be in that world of different experiences, of different voices coming through, rather than one, full on, yelling and screaming performance…. Just to hear myself doing one kind of voice? I love to mix things up and to make it interesting for the band [and] for our fans.

On the topic of your latest record, Firepower, what was it like to go back in the studio and work with Tom Allom 20 years later?

Oh, it’s beautiful! You know, Tom knows everything about Judas Priest. He’s an expert. We see Tom pretty much every time we go out into the world and the idea about Tom coming back as a producer was born out of the idea that we had to kind of focus on all of these certain elements of Priest that Tom was involved with, so putting Tom with Andy, who is from a different kind of generation of producer, it was just remarkable to watch them do what they do sitting side by side. Tom knows everything. He knows everything about my voice, he knows everything about Glenn [Tipton]’s guitar tone, [everything about] Ian [Hill]… just in general. Working with Tom is a gold mine, it’s like a treasure. You mix those opportunities up and you get something special like we saw with the production of Firepower.

That’s fantastic. I think the creative juices really flowed fiercely between the producers and the band, which I personally think paid off.

Thank you, thank you! You know, we feed off of each other in this band. If I watch Scott [Travis] going crazy on the drums and doing these amazing drum patterns and seeing his efforts and determination, then I’m going to bounce off that. I mean, that is what is important about having the love and respect of your fellow players. We all have a job to do, but the best of that job comes out of the teamwork effort and being there for each other and encouraging each other. Much like every Priest album, the end experience is born out of a lot of important team dynamics more than anything else.

That’s a stellar outlook on being in a band and making music, especially over so many years. On the topic of older music of yours, do you ever go back and listen to some of your deep cuts? With a discography as unique and immersive as yours, I can imagine that there are songs that even you rediscover once in a while.

We’ve been doing that a lot recently, Debra, because we are trying to dust off the mantle of songs that we haven’t played in a while. There are so many tracks, but we’re mentioning certain tracks like “All Guns Blazing” and “Out in the Cold.” There are all of these incredible Judas Priest songs that you tend to forget, you know? You’re always out there showing of your latest creation, as we are with Firepower, and then you have to include the songs that your fans are ravenous to hear and are absolutely entitled to hear. So, once you start putting all that together, a bulk of the show has already made itself on the set list, but by the same style, there are always 45 minutes that you can utilize for some new adventures. That is what we’ve been doing recently, so, yeah I listened to Rocka Rolla, our first album, recently and I would love to do the title track live. I’m not sure why I feel that way, but there is just something very special about the Rocka Rolla title track that still resonates with me, and I would love to hear Priest play that track now, how many decades later. There are so many things to listen to and try out that I’m sure we’ll be able to bring to life by the time we come to your parts of the world.

I hope so! If you, yourself, find some of these songs so special even now, then I can only imagine how special it would be for fans to hear.

Yeah, because, first off when you make your first hit record, you think “That’s it. I made it.” [Laughs.] And, “Everything’s going to be great now!” Well, wrong! That’s wrong because that is when the pressure starts. You’re suddenly under limitations that you didn’t have before and so many things get out under the microscope that may have never been under the microscope before. So those songs, those very early Priest songs—some of which didn’t even make it to the first record—for lots of different reasons, you listen to them now and play them to perfection just because they mean so much to you in many different ways. I think listening to the first album shows that Priest was going to be a band that was going to take us all on this great journey together in heavy metal. It’s a good album, still, especially for a first.

Absolutely! Like you said, you’ve done a lot since then, too, but you’re still doing it in the ways that you want to, which I think is important.

That’s a difficult thing to work in, too, because when you do get success and when you do start to see things come back at you, there is a tendency to lose the focus of what you’re trying to be about. What I mean by that is that if you have a very, very successful selling record, there is an intonation that we need to make another one of those. That has never been the case with Judas Priest and our label, Sony, and even all going back to Columbia and Epic, CBS… our labels have been wonderful in giving us free range. They’ve always had a lot of faith in Priest and still do. They know that we are going to deliver the goods and every one of our records have kind of stood on their own legs and shown its own character, so it’s a good thing.

Of course, you’ve been known as the Metal God for decades now, but you’ve also been a hero to thousands of people with all different backgrounds and all walks of life. Your impact on the metal community, the LGBTQ+ community, and the music industry itself is immense. Do you feel—or have you felt any sort of pressure— over the years when it comes to being such a high caliber and influential person?

Oh, thank you! I don’t think that about myself, but those were very kind, generous words and I appreciate that greatly. Thank you, Debra. Here’s the deal, though: these things come along from your own making, but I don’t think you’re aware of them right away. When you start to see the accolades in the press and the praise from your fans and this award and that award, it makes you feel good, you know? It makes you more concerning to do better, to be better. That’s the thing with us in Priest, I don’t know if it’s with our British, working-class background or whatever, but, again, you have to be able to know how to deal with that change and those feelings. You know, the world is a different place than when I grew up. The music is still the same, but the world is a different place in terms of communication. I have a fairly decent social media presence and I see what the fans say, whether it be on my Instagram or my Facebook or Priest’s own Instagram and Facebook. I read what the fans say. I am aware of how they feel. How you digest that can be kind of tricky. You have to have a thick skin in some cases and in some cases, you kind of utilize the information that you’re getting back from them and put it to good use; which goes back to how you take it and how you use it to make you a better musician and a better person for yourself and your fans.

 

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Harvey Weinstein Charged with Rape

Got him!

Shortly after the first day of Harvey Weinstein’s New York sex crimes trial concluded, the disgraced movie mogul was indicted in Los Angeles on similar charges. 

Los Angeles County District Attorney Jackie Lacey announced Monday that Weinstein has been charged with raping one woman and sexually assaulting another in separate incidents over a two-day period in 2013. 

Weinstein was charged with one felony count each of forcible rape, forcible oral copulation, sexual penetration by use of force and sexual battery by restraint.

An arraignment will be scheduled for a later date.

“We believe the evidence will show that the defendant used his power and influence to gain access to his victims and then commit violent crimes against them,” Lacey said in a statement. “I want to commend the victims who have come forward and bravely recounted what happened to them. It is my hope that all victims of sexual violence find strength and healing as they move forward.”

On Feb. 18, 2013, Weinstein allegedly went to a hotel and raped a woman after pushing his way inside her room.

The next evening, the defendant is accused of sexually assaulting a woman at a hotel suite in Beverly Hills.

Prosecutors are recommending bail be set at $5 million. If convicted, Weinstein faces up to 28 years in state prison.

The Los Angeles District Attorney’s office, which has been reviewing allegations presented against Weinstein by local police agencies for nearly two years, said ahead of Christmas it had eight such cases pending before its task force of specially trained deputy district attorneys.

Weinstein, who was indicted in May 2018 in Manhattan, has been charged with five sex crimes, including rape and predatory assault, involving two women in encounters dating to 2006 and 2013. His New York trial began Monday. 

This article originally appeared on USA TODAY: Harvey Weinstein charged with rape, sexual battery in Los Angeles over 2013 allegations.

 

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California Dreamin’ – 1982 to 1984 – The Blue Lagoon

It was New Year’s eve and I’d bought new clothes, so I thought I was cutting quite a dashing figure, but the reality was I’d drunk four 151 rum and cokes and was shouting the word “dickhead” at my friend Frank for reasons I can’t remember. That was the taxi. Then I was in a kitchen (can’t remember whose) holding a big bottle of prosecco (not mine) and I was sharing it with a girl named Jennifer. She was telling me she was a freshman at Santa Monica College, and I was doing that glazed eyes listening but not really listening thing, so I asked Jennifer if she wanted to go upstairs.

She did.

We went up, and I was holding orange juice now as well and Jennifer was saying something about the actor from The Blue Lagoon, Christopher Atkins. In someone’s parents’ room and Jennifer was now on top of me and pressing her (large) breasts into my face. Hard. Really hard. So hard I had a nosebleed. All over her breasts, all over the (inevitably) cream carpet. That was when the owners of the house came back. I recall them screaming the words “what”, “the”, “fuck”, “are”, “you”, “doing”, “in” “here” at me and Jennifer quite a few times. As I left I kicked the orange juice (probably an accident) all over the carpet, which now resembled some kind of crime scene.

Smash cut to March, I haven’t seen or spoken to Jennifer since NYE. I’m wandering around a club after a show looking for a bottle of Jack Daniels and then Jennifer is in front of me and my inner monologue is like, “How is this happening?” But you know what? Jennifer was pretty cool about the nosebleed.

Jennifer and I had sort of OK sex back at her place. We lay there in that blue grey not quite morning light and we talked. Jennifer said she thought I looked like Christopher Atkins (which is generous). And the blue grey light changed and soon the rest of the room was visible, the clothes on the floor, the photos of Jennifer and her friends on the walls, the pictures of Christopher Atkins on the wall, the many pictures of Christopher Atkins… the SHRINE devoted to Christopher on the wall. I felt like a voodoo doll. I was some kind of fuck your favorite actor fantasy boy. I was creeped out then and I’m creeped out now. My skin didn’t crawl, it ran. I left and on the way back to my apartment it rained. I didn’t have a coat.

 

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‘We’re All Wearing Diapers’: Shocking New Year’s Eve Truth

There are only a handful of cities with celebrations so spectacular on New Year’s Eve that they’ve built an international reputation on it.

At the top of the list, arguably, is Sydney – for it’s magnificent and world-class fireworks display on the city’s sparkling harbour.

Perhaps the most iconic, however, is the ball drop in New York’s Times Square – otherwise known as “the Crossroads of the World”.

It’s where some two million people pack the streets in the core of the Big Apple up to 16 hours before the clock strikes midnight. They come for the spectacle: a free concert featuring some of the world’s biggest stars; an illuminated ball that drops from above a high-rise building, marking the end of one year and the start of the next; and an explosion of confetti, with handwritten wishes written on each piece from members of the public, fluttering through the skies above the bustling streets. To be a part of it and feel the electricity in person is on the bucket list of many people all over the world. The celebration is so popular that revellers arrive in the morning to secure prime position before it fills up and police block access.

But there’s a catch that most tourists who flock to the city for New Year’s Eve are largely unaware of: There are no bathroom facilities. Zilch. No Portaloos, no public rest rooms, and no access to restaurant or bar facilities for non-customers. And in a place so packed that it can take hours just to shuffle from one block to the next – and that’s outside of police pen “lock-in” periods – it’s a discovery many revellers don’t make until it’s too late.

Those privy to the set-up, however, have a secret: adult nappies.

New Year's Eve fireworks display over Times Square, New York, USA.
New Year’s Eve fireworks display over Times Square, New York, USA.

It’s said that the streets of New York City will “make you feel brand new” – a line immortalised in Alicia Keys’ hit song Empire State of Mind.

Just don’t expect to get that on New Year’s Eve when the streets are lined with thousands of adults wetting their “diapers” and thousands more urinating directly onto the street.

“So far, it’s dry, and I’m hoping to keep it that way,” nappy-wearing Dallas teacher Heather Feist, 33, who began lining up at 9.30am, told the NY Post at last year’s event.

Others were not so lucky.

“I’ll definitely need to shower after peeing my pants all day,” Ayame Yamakawa, 22, told the newspaper after travelling 22 hours from Okinawa, Japan, just for New Year’s Eve this time last year.

She had already wet herself once by 2.41pm after lining up at 10am, according to The Post.

 

Crowds celebrate new year on Times Square, NYC. Picture: iStock
Crowds celebrate new year on Times Square, NYC. Picture: iStock

 

The celebration lights up New York. Picture: iStock
The celebration lights up New York. Picture: iStock

At a previous NYE street celebration in Times Square, Jeryl Lippe, from New Jersey, got a bad case of karma after she smuggled vodka into the alcohol-free zone inside a water bottle. She didn’t eat anything other than a breakfast bagel and didn’t have her illicit drink until the end of the day, she told local The Post. But, “by the time it was turning midnight, I had drunk a lot and was desperate to go to the bathroom,” she continued. “I tried to find some place to go – hotels, restaurants,” she said, but she was denied.

Chuck Pappas travelled from interstate for NYE at the “Crossroads of the World” in 2014, at the time telling Business Insider: “We have Red Bull, energy shots, lots of snacks, water, playing cards, we’re all wearing several layers and … we’re all wearing diapers.”

Brian Alvarado, from Westchester, New York, last year recalled how one of his friends gave up and urinated in the street, adding, “I’ve heard stories of people who wear (adult) diapers.”

 

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