The Paragon – Chapter 6 – DiPinto Guitars

A month or so later I was chatting with my coworker at my job, (The one who’s a musician and knows more about guitars and rock than I do) and he and one of the other guys, (Who’s the drummer in a local band called, Mesh) and they told me I should visit Dipinto Guitars up on Girard Avenue in Fishtown. I decided that on one of my epic walking tours around the city, I’d stop in there and check it out. They both said it was a great store and the owner was really cool.

A month or so went by and it was one of the rare warm days, and I was off and decided to make the journey up to the store. I went in and met the owner. I introduced myself and gave him a little of my history. This store was probably the best music store I had set foot inside in Philly. He had lots of great guitars, basses, and amps around the store. He had a nice collection of vintage instruments and effects pedals.

I had been out walking for a few hours and asked if I could use his bathroom. He obliged and took me to the back room that led to a flight of stairs to the basement.

Even this guy’s bathroom was cool.

Just the coolest bathroom in Philly by far. It was like stepping into my past 40 years ago when I owned a few of those posters and rock band mirrors that I had won on the boardwalk in Wildwood as a teenager!

We chatted about his history and it was quite impressive. He’s played in several bands throughout the years and still played locally when he could. He also made and customized his own line of instruments. Like Paul McCartney and Jimi Hendrix, Mr. DiPinto is a lefty. He’s supplied guitars to some other left-handed guitarists over the years. He’s also built and sold guitars for several other famous musicians, like David Bowie, Jack White, Elliot Easton, Rick Neilson, Dick Dale, Kurt Vile, and LA Guns.

Mr. DiPinto played in a band called Wastoid and opened for Judas Priest at The Electric Factory back in the early 2000s and I told him I saw his band because I was at that show!

I also noticed he had a nice collection of vintage effects pedals in a glass case under the counter. So overall this was a very cool store run by a really talented industrious guy. Most of us musicians at one time had the dream of making it big and being a famous rockstar but this man has definitely had a taste of that and now runs a successful business. So good for him!

We chatted a bit more trading stories and I wandered around the store looking for the next instrument that would maybe light me up. I really liked some of the guitars he had made himself because they all had a unique surf-rock vibe to them and had some interesting lines and aspects about them.

He has some regular stuff like these Squiers and Strats…

Some crazy heavy metal type guitars… (very cool and flashy but I already have a cool guitar. I want something that’s nothing like my Iceman.

Here are a few of his custom-made designs. Bright, fun colors with classic vintage 1960s retro lines. Those groups of 4 dots are little buttons/switches you can hit with your fingers to change the sound. They control which pickups are on or off at any time. Looks cool, but in my opinion, less is more on a guitar. Still… they’re really nice guitars. But the biggest point that would stop me from buying one would be the price. They’re custom-made. They’re going to be expensive. Most are over $1000, so I won’t be getting one of those.

But there was this one guitar that was hanging up on the wall that really caught my eye. Not so much by its red color, but the way it looked and its pedigree.

That one… second from the left with the black pickguard.

It was a Tokai which is one of several Japanese guitar makers. I don’t think they make that model anymore. It’s a used 38 Special from around 1984. I liked how it was in decent shape, had a cool body, and was from around the period when the Iceman was born.

He let me take it down from the wall and play it a bit. It played just like my Iceman but was different in appearance. It was vintage and a rare guitar. You don’t really see these models anymore. I don’t know anything about the guitar’s history but it had been taken care of. Good shape, some dings here and there, and almost no buckle rash on the back.

But here’s the thing… the guitar was over $300 and a 30-year-old instrument. Another thing that struck me was that the volume and tone knobs on it were gold in color. They looked out of place. They appeared to be the knobs from a gold top Gibson Les Paul. Why were they gold, and why were they on this guitar? What else isn’t original on this guitar?

I looked up the model later on the internet and all of the pictures I saw had black knobs that looked more appropriate for this type of guitar. I know this may seem like a small detail for an old used guitar, but I think if I purchased it I’d never be happy with it. They just looked out of place.

But it was still a cool guitar and out of all of the guitars I’d looked at and played over the last three years this one did speak to me for several reasons. The shape, the color, the vintage and it played like my own guitar. So this guitar became the frontrunner in my musical quest. But I still had a slight problem with the knobs, the age, and the condition of the guitar. Oh, and $300+ for an old guitar that wasn’t one of the famous brands, sort of left me a bit cold. But, I’m sure if I had really shown interest in buying it, Mr. DiPinto would have replaced the knobs for me.

I told him I liked the axe but I’d have to sleep on it. Years ago I was a bit reckless with my money. I was compulsive in many aspects of my life and my youth. But as I’ve aged I’ve gone the other way. I’m super thrifty now. I don’t make impulsive decisions about anything anymore. Although I’m the same man I’ve always been in spirit and heart, I’ve literally gone in the opposite direction in my personal life. My core traits and talents remain but I’m different now. I rarely drink alcohol, no longer smoke cigarettes, eat nutritious food every day, and keep myself in healthy shape through proper diet and exercise. I’m no longer a young guy anymore. I’ve finally matured and take care of myself rather than feed my compulsive needs with frivolous things.

But I’m still a bit shallow when it comes to beautiful things. I love beauty. If the guitar doesn’t please me visually I’m not interested in it. I think the same thing goes for my romantic life. I’m 60 years old. I’m out of the game. I don’t have a girlfriend, and I no longer date or even want to date anyone. I like being alone. I want to come and go as I please and not answer to anyone. I don’t want to be responsible for anyone else’s happiness but my own. It just wouldn’t be fair.

The type of woman I like and am attracted to all want to get married and have kids. I’m way past that. It wouldn’t be fair for me to get involved with a beautiful younger woman because she’ll eventually want those things. Don’t get me wrong, I totally understand it, but it wouldn’t be fair to her to be involved with me. So although I’ve enjoyed all the love and romance that has filled my past, I’m just done with it now.

I know it may sound a little shallow or picky, but if the old Tokai is a little worn and doesn’t have the right knobs on it, I just don’t really want to blow $300 plus tax on something that doesn’t please me every day. I need to feel that thing that Eric at the pawn shop told me about.

I was about to leave the store after having a lovely hour with Mr. DiPinto and his wonderful store when something caught my eye.

Over on the back wall were several guitar straps hanging together. But there was one in particular that I had never seen in real life.

Yes… the long-lost black guitar strap with the lightning bolt on it!

I maybe saw one once in Gilday’s music up in Northfield NJ back in 1980, or maybe in a rock magazine somewhere but I haven’t seen one in real life for a very long time. I always thought it would be the perfect strap for the Iceman to complete my look but I never could get my hands on one.

But here it was hanging on the wall among a variety of different types of straps. I walked over and touched it feeling a connection to the item. I could smell the leather as I checked the price tag.

$70! What? $70? for a strap? That seems outrageous. I told Mr. DiPinto the story about how I always wanted one and he told me I should get it. He makes his living selling things in his store and I really want to support local businesses but $70 seems like way too much for me to spend on a guitar strap. As much as that item means to me from a teenage fantasy perspective I can’t fathom spending that much on something like that.

So I left the store and thanked him for his time and told him I’d seriously think about the Tokai .38 Special.

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The Paragon – Chapter 3 – South Street Sounds

Two years ago I bought a little amplifier from a local music store. It was a Roland Cube. Just a little amp with a loud bark. It was only $100 but has plenty of power and all of the cool effects were built into it. Technology really has made some leaps in the last four decades. Electronics are smaller, faster, and better than ever.

CUBE-20GX | Guitar Amplifier - Roland

The owner of South Street Sounds is a local musician who’s been in the industry for many years. He played and recorded in a band called Tall Trees. He’s got tons of gear crammed into the little store and it’s a bit cluttered. There’s so much musical stuff packed in there that there’s almost no room to sit down and try out an instrument. But he’s got a little bit of everything at reasonable prices.

In the basement, he has a complete recording studio and rehearsal space. He also gives guitar lessons and rents out the studio to musicians looking to record. He’ll run the board and mix the songs down for you. The Dead Milkmen have recorded there. When he’s not playing or fishing he’ll pick up gigs at local watering holes like Bob and Barbara’s or McGillan’s here in the city.

He’s been married to the same lady for around 25 years and they run the business together. His wife usually is behind the counter and operates the store on a daily basis. She’s a fit, pretty Asian lady with a peppery personality. She has a certain intensity in contrast to her husband’s laid-back, easy-going nature. Maybe that’s why it’s worked for so long. I’ve found that she’ll start talking about some subject or person that irritates her and then will become so intense, you actually feel like you’re the one in trouble with her!

I kind of dig her because she’s attractive and a little bit mean. I think this goes back to my Junior High days when I was hated by everyone. Being an ugly outcast, I was the object and target of my classmate’s scorn. Especially the girls. I think somehow in my formative years when girls were mean to me my subconscious at least enjoyed the attention even though it was negative. I think this may have manifested itself into me enjoying a woman who’s a little bit mean. I end up liking women who are a bit cruel in general. I don’t understand it but it’s definitely there in me.

I would stop in occasionally and chat with her but her corrosive personality compared to her very nice husband kept me away. That, and there was just no room in the small space to really check out their collection of guitars.

But I was still looking. I was thinking I may want a Fender Telecaster but still wasn’t sure. All I had was the little amp and my Iceman. But something was still missing. I’m not entirely sure what it was, but probably the fact that I wasn’t learning any new songs or writing and composing anything on my own. My energy was focused on the blog, but the itch to play again was getting stronger.

I would drag out the Iceman and jam on occasion but something was missing from the whole experience. I sold my Marshall amplifier years ago simply because it was just too big and too loud to play in my apartment in Rittenhouse. It would have melted the paint off the walls before I would be thrown out for violating local noise ordinances!

Something was coming but I didn’t know how or when. I would just keep thinking about music and ideas for songs and just let it develop naturally.

Continued next Tuesday…

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The Paragon – Chapter 2 – The Past

Back in 1978, I was the singer in a band called Renegade in Northeast Philly. The musicians were already playing together when I joined the band. It was a huge leap for me and was the beginning of my life as a musician. I’ve written about this time in my life and it’s all pretty well documented.

We played the song, Draw The Line by Aerosmith, and Gerry the guitarist asked that I learn and play the guitar part when he did an extended slide solo during the song. I leaped at the opportunity to play guitar so he brought in his old Silvertone to practice and showed me how to play the three notes I needed to play.

Larry, Mike, Chaz, and Jerry

I eventually acquired the guitar from him. He played a blonde post-CBS Fender Stratocaster. He needed money to buy a Valentine’s Day present for his girlfriend and he sold me his old Sears Silvertone for $15. He even threw in the amplifier that came with it. He was a great guitarist and had a cool Stage amp and a Univox Super Fuzz distortion pedal. The equipment he was using became the model of what I wanted to do musically even though I could barely play.

I found this pic on the internet and it is the exact model I owned into the early 80s.

Time went by and I continued to practice every day. Learning the notes on the fretboard and pouring through my sister’s old piano songbooks to learn songs. I would forgo going out to stay in and practice my instrument. My main focus was to learn the basics and then start writing songs. I wrote my first song called Get Lost on that guitar. I had only been playing the guitar for a couple of months. I always had a good ear and a sense of music in my head. I loved rock music since I was a kid, and leaned more toward the harder acts like Steppenwolf rather than The Beatles. I really dug hard-hitting powerful guitar sounds. The heavier the better.

Let’s jump to 1980 and I’m living in Wildwood, New Jersey with my family. My dad had decided that once my older sister went off to college, we’d leave Philly and live at the seashore. Wildwood back then was an absolute wonderland in the summertime. But in the winter it became a desolate awful place for kids and teens to live. There is absolutely nothing to do. It’s a resort/retirement town and only exists because of its location, free beaches, and a boardwalk full of amusement rides.

But I survived the winter and actually thrived when I met a kid who played guitar. We started jamming and later joined a few other guys to form the Union Jacks. My buddy said I probably needed to buy a “real guitar” if I was going to be taking music seriously. I thought this was a great idea and started looking through magazines to see what my favorite guitar heroes were playing.

The one instrument that really struck me as the guitar that was right for me was the Ibanez Iceman. It had to be black and would represent the cool heavy metal/glam image and persona I wanted. I guess once I learned how to play guitar and write songs I didn’t really focus on being a great musician. I just wanted to write good catchy songs and be a rockstar. I remember reading once that the artist, Sting once said, “I saw the Beatles and I wanted to be in a band. I saw Jimi Hendrix and I wanted to be a musician.”

You can read about my whole music saga in my upcoming book, Down The Shore: Stories from my summers in Wildwood, NJ

But for this story, you can click on the link below to get the backstory of this musical instrument.

The Ibanez Iceman

When I saw the film Hard Day’s Night I wanted to be a rockstar. A cool job playing rock music and being hounded by throngs of girls wherever I went. So I always liked being in a band but my focus was on becoming a famous rockstar on my songwriting merits. I figured I could always get other musicians to bring my poetic and musical vision to life with their musical prowess.

So now I had the Iceman and I loved it. I referred to it in the feminine sense like men name their boats female names. It’s a term of endearment. Even though the Iceman had the word MAN in the name, and had sharp edges, an angular body, a hook, and what looked like a stinger I still regarded the instrument as female. She was beautiful and loyal and brought me hours of joy. She was far better than most people I knew. But the instrument still had a very heavy metal masculine image to it. Look at the photo. That’s a metal guitar. You don’t come out onstage with a black Iceman and a Marshall amp behind you and play ballads. You crank hard rock and metal at a loud volume.

I remember seeing a picture of a guitarist playing guitar in a music magazine and he had a black guitar strap with a white lightning bolt on it. I had to get one of those to complete my look. I had the cool Iceman, but my strap was plain black leather and I put neat buttons on it. Buttons were popular back then and my guitar strap was covered in buttons. Buttons with images and words like, I want complete control, I want it all, a picture of Alex from Clockwork Orange, a photo of Farrah Fawcett, etc. Just stuff I liked and thought was cool at the time.

But I wanted that lightning bolt strap to complete my rockstar look. But couldn’t find one anywhere. It was 1979, and I lived in a ghost town so music choices were limited. There was a TV repair shop owned by a guy who had a few guitars and gave lessons, a music store called Back to Earth, and a place called Gilday’s up in Pleasantville. Not much else. It was even difficult to find good music down the shore. All they had was one crappy radio station broadcast out of Atlantic City and if you wanted a cassette by a specific band the store had to special order it for you. I was probably the first person on the island that owned Def Leppard’s first album, On Through The Night, and Some older Judas Priest albums because there was just no call for any of that music where I lived. When I think about how sparse and talentless the population was in Wildwood in the wintertime I’m surprised to this day that we all actually came together and created a viable rock band.

I spoke to my father about the black strap with the lightning bolt and he said he’d see what he could do. He had always come through for all of us on anything we wanted when it came to Christmas, so why not ask Santa himself to procure this elusive item for me? He was great at locating things and bringing them home. I was sure he’d find one for me.

But as time went by, he came to me and said he wasn’t able to find the strap I was looking for. Was it a custom item that the guy I saw wearing it had specially made for him? Maybe. I eventually let it go and continued to play wearing my plain leather one covered in buttons.

The Ibanez Iceman had taken the place of the Sears Silvertone. The guitar that I learned to play and started my songwriting journey on. The guitar looked like a slender Stratocaster, but once you got close to it or held it realized it was one level above being a toy for a child. But it was a great guitar to learn on and it meant a lot to me.

But it eventually started to have electrical problems and spent more time in the closet because it had been replaced by my new girlfriend. My best girl. My beautiful powerful black Iceman. I had a tendency to do that with women back then too. I would have a girl I liked and I would spend time with her. Let’s use Anne as an example. Anne was my little girlfriend at the end of the summer. That lasted into the winter and she would come down and visit with her mom during the winter and we would hang out. I was 17 and she was 14. But I was immature and she was the perfect girlfriend for me. But once I was enrolled in Wildwood High and playing in a new band, I started dating a local girl. She was tall and blonde and I was digging her. New and shiny like the Iceman. Anne slowly became the Silvertone. I thought less about her and enjoyed my time with the girl who was new. I was fickle even back then. I didn’t even feel bad when I dumped Anne to be with the new girl. Anne was a better match than the new girl, but I wanted what I wanted. As the song says, “If you can’t be with the one you love, love the one you’re with.” The new girl won out because she was available. But because of who I was at the time, once the summer of 1980 broke, I cut them both loose to enjoy all the fresh tourist girls who would arrive in droves each week on vacation.

That was 40 years ago and none of it matters now, but I noticed some interesting parallels in my life lately. The Ibanez Iceman is the only guitar I’ve purchased in the last 40 years. I thought about getting a Gibson Explorer as a second guitar back then, but they were expensive. I had the Iceman and that was enough. I could only play one guitar at a time anyway. The Gibson Explorer would have been a vanity purchase not because of how well it played but because it looked cool. Pretty much why I wanted the Iceman. It looked cool. My decision to spend all of my busboy earnings on a $500 guitar back in 1979 was simply because it looked cool. I wasn’t about the ease of play or tone. I got it because it looked sharp and I had never even played it before I bought it. I just wanted that look. Pretty superficial and shallow thinking. But I’ve always been that way. I’ve put up with so much from so many women because they were beautiful. I was always very forgiving of beauty, mistaking it for sophistication and kindness. When normally beauty is the opposite.

But lately, I’ve been thinking about getting another guitar. Just something simple, inexpensive, and functional. I don’t want to have to drag the Iceman (which is now a valuable collectible antique) out from its case underneath my bed, get it hooked up, and jam. I’d rather just write.

I had spoken to a musician who worked as a delivery driver at the last restaurant where I worked four years ago. He said he would buy blank guitar bodies and necks and build guitars himself. He’s a really talented guitarist but I think it’s more of a pet project than something he was thinking about turning into a business. We chatted about it on a few occasions but nothing ever came out of it.

To be continued next week…

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Got Googled

Back in 2020, I applied to get Google AdSense on my site so they could run ads on my blog and generate revenue. It was a complicated process and took months for them to get back to me.

I was finally approved, and ads began to run on Phicklephilly. I had already secured my own clients to run on the site so this was an added bonus. The income isn’t that great unless you have millions of page views but it was free money I earned while I slept, so I was down.

But here’s the rub.

Google has very strict guidelines when it comes to running ads on your site. Your content has to be very PG and you can’t have anything sexual or offensive on your site. I always wrote from my heart and used the whole language. Especially in the beginning. I wasn’t too worried, because most of my stuff was pretty tame. I’d rather mention it and leave the images up to my readers.

But one of the most popular posts I’ve ever written was about Asian massage parlors in Philly. I wrote it back in 2017 and it was just me interviewing a friend of mine about his experiences at those establishments.

Google Adsense was immediately all over it with warnings about how they wouldn’t run any ads on that page unless I fixed it. What they meant by “fix” was to clean it up and make it safe so anybody could read it. I didn’t like any of this but I complied. I changed a few things but they were relentless in their attacks on my work.

I thought the one page that’s had over 17,000 page views should be a winner for advertising revenue… but no. They kept flagging the site for violations and ultimately I simply relented and took it down. I didn’t want to offend anybody, but it really felt like a form of censorship. I mean… here’s a company that runs ads for HBO and that cable network has tons of profanity, violence, and sex on it. I wondered, why me? That all seemed a bit hypocritical on the part of Google. But I wanted the revenue and it took me forever to get approved, so I sadly gave into their will. They had me at their mercy.

Things have been fine since then and I got over it. But then something else happened last year. My Google email account was hacked. I didn’t realize it at first. A small letter Y appeared in my search engine bar on Google Chrome. I would go to search for something at I would be redirected to Yahoo. I didn’t want any of this. I tried to clean it off my Chrome account using different security measures but none of them worked.

This went on for a week or so, and then one Sunday night I got a text from google that they had disabled my account. So I had no access to my email, calendar, and my google drive. Google has the power to not only disable your account to keep you safe it can easily cut you off from everything you have in your accounts with them. They do this with no remorse and without warning. This is a little disturbing that this company has this kind of power over its users. (It’s funny how the only two industries that refer to their clients as users are internet companies and drug dealers)

My mail has been in place for 10 years and had everything in it. My calendar had dates and things scheduled in it since 2010. My Drive had both manuscripts of my works of fiction, and every article I’d written for the freelance commercial writing I do for a living.

Google told me that my google account had been disabled due to harmful malware and phishing that had hacked into my account, and some entity tried to change my password. I thought, the next thing they’d do was try to hack into my bank account or my brokerage accounts. It was pretty scary.

But with the account disabled it stopped the perpetrators dead in their tracks. I found a way to clean out the malware from my chrome account and I sent google a message telling them what I did to try to fix it.

They got back to me in 48 hours and told me the account was irreparably corrupted and they wouldn’t reinstate it.

And that was it. Everything was simply… gone.

But the good news is, I don’t really care about my email or calendar, I just made a new one with a new name and password. But I was a little salty about the elimination of everything in my Drive.

But I wasn’t that upset.

All of my books are held securely at KDP Amazon and I have complete control over them. I also have copies of the manuscripts saved to my computer. Everything I’ve ever written commercially has been shared with my editor and she has records of everything I’ve done. So I’ll be fine.

It was actually a bit liberating to know that although someone could come in and attack my account I really didn’t lose everything. If anything, it gave me a fresh start with a new email free from clutter and a new calendar. I’ll just have my editor share with me copies of everything I’ve written for her to my new Drive.

So as daunting as something like this can be, I just had to think to myself for a moment and not panic. My house hasn’t been broken into. My daughter is safe and so am I. My money is secure and untouchable. My creative work is safe. I’m fine and I really haven’t lost anything. The only time you really lose something is when your perception is that it’s a loss.

If you’re fine without something you don’t really miss it. Nothing of real value has been affected and we’re all fine, so this is simply a story and a warning to everybody out there to be careful and be mindful of what’s going on with your digital footprint across all of your devices.

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If Only – Part 2

Honolulu, HI – September, 1980

As night fell on the island, Jack and Adhira had dinner at Roy’s Hawaii Kai.

“Food’s great here. Remember when we worked that surveillance gig back in’78?”

“Yea. That was a crazy time, Adhira. It’s been two years. You still look the same.”

“You look a little tired, Jack. Have you read the file?”

“Probably jet lag, that’s all. Yea, I read it on the plane out here. The guy seems a bit nuts but I don’t see the urgency here.”

“Well, if Marty hired you it must mean something. How bad is your life? You’re in Hawaii for goodness’ sake.”

“Yea, but why are you here, Adhira?”

“Oh, thanks a lot, Jack. Way to make a girl feel welcome.”

“You know what I mean. I always work alone. I just like it that way. Free to move around how and when I want.”

“Marty just thought that you could use a little company on the road for this sort of job. You know my skills. One of them is to keep whoever I’m with calm and centered. And you know how you can sometimes be.”

“How can I be, Adhira?”

“A little intense. You tend to get a little obsessed with the work. I’m here to provide you with a bit of balance.”

“Did Marty tell you that about me?”

“There are files on all of us, Jack. Now eat your butterfish.”

Jack grinned and took a mouthful. He looked into Adhira’s dark eyes. She smiled and sipped her wine. He always wondered how such a beautiful woman could end up working at the agency. That lovely face framed with raven tresses that tumbled about her shoulders like a moonless river.

“So what’s your take on this guy, Jack?”

“Well, as I said, he seems a little nuts. Textbook upbringing. His father was a sergeant in the air force, and his mom was a nurse. Dad was a little abusive to his mom and he never felt like his old man loved him. That sounds like my family. What son hasn’t thought that about their father?”

“Yea, and he wasn’t athletic in school and sort of a poor student. Kind of a loser.”

“Yea, kind of like me. But then there’s all the religious stuff he’s gotten into. I think that’s where the real trouble normally begins. People get these righteous ideas, and some can get a little fanatical about that. My ex-wife was religious and she had a lot of good intentions if you get what I mean.”

“Yea. The road to hell is paved with them. I get you. This guy did have some early success working at that kid’s camp in Georgia. Maybe he should have just kept doing that.”

“But I think as he’s gotten older he’s started to unravel a bit. I don’t know what happens to some people. Most of us get disillusioned and sad about stuff, but we move on. Then other people just can’t seem to pull themselves out of it. It’s a real shame.”

Did you see in the file how he starts to get into these altercations with the camp counselors and can’t seem to fit in anywhere?”

“Right. Which for some odd reason brings him out here. It’s odd. It’s expensive to live on this island. It’s a resort. Then he attempts suicide by asphyxiation in his car but screws that up too when the hose he stuck on the exhaust pipe melts, and he survives. Some people move to California thinking they’ll start a new life. But like the Joad family in The Grapes of Wrath, it’s just the last exit for the lost. But why Hawaii to kill yourself?”

“Maybe to die in paradise? Didn’t they give him a job at the mental hospital they stuck him after his attempted suicide?”

“Yea, but then he got into an altercation with the head nurse and quit. I think the last job he held was as a security guard. Funny how he’s good with the kids at the camp, then works at a hospital, and then in security. It’s like he’s always working in jobs that serve and protect human life. But then he starts drinking and that’s never a good thing if you’re suffering from mental illness.”

“I think it’s only made his obsessions worse.”

“Yea, booze makes you feel better in the beginning but after a while, it sledgehammers everything else in your life.”

“Speaking from personal experience, Jack?”

“What do you think?”

Tune in tomorrow for the conclusion!

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If Only – Part 1

Los Angeles, CA – October 1980

Jack walked into the nightclub on the sunset strip. He didn’t dread these meetings, he just never knew what to expect.

He spoke with security and told them he was there to see Marty. He gave the password, and they let him come into the private room in the back. Marty was there sitting at the bar sipping a glass of whiskey.

“Jack! Great to see you, buddy. It’s been too long. Have a seat. What are you drinking?”

“Nothing for me, thanks. What’s on your mind?”

“We’ve got a little situation. Everything’s fine right now, but we’ve heard some things from some of our contacts in Hawaii.”

“Tell me what’s going on.”

“One of our people overheard a guy saying some things to his friends at a bar. We’ve had our eye on this guy for a while, and we think you should look into it.”

“Is there a file yet?”

Marty reached into a leather bag on the floor next to him and produced a folder. He handed it to him. Jack took the folder and flipped through it.

“Is this everything?”

“Well, it’s never everything, Jack. That’s why I called you. Read the file and get to know this individual. We’ve gathered as much intel on this guy’s background as possible. We just feel that things could escalate, and that can’t happen.”

“What’s the fee?”

“The usual. But if things get sticky you’ll be compensated accordingly for any extra effort.”

“What’s the time frame on this?”

“Well, we know where he is right now and where he may be going, but not much else.”

“So you just want me to follow him?”

“Yea. Keep an eye on him. We’ll give you his location and the details are in the file. If you want to talk with him at some point, that’s your call. But I really think this needs to be addressed sooner than later. There are a few of these types out there but usually, it never comes to anything. But this one’s got me nervous.”

“Do I need to know who the client is?”

“No. That’s why I brought you in, Jack. You’re good at helping people and doing the right thing when necessary.”

Jack looked at the file. “No previous criminal record. Interesting.”

“Yea. Could be nothing, but the client doesn’t want to leave anything to chance.”

“How long’s the job?”

“Hard to say. Could be a month, maybe longer. We just don’t really know.”

“Alright. Anything else?”

“Uh, yea. I want you to partner with Adhira.

“Come on. You know I only work alone, Marty.”

“Look… for this job I want you to have her with you. This way you won’t stand out too much.”

“Oh, okay… me and some hot Indian chick. Yea, I won’t stand out at all.”

“You two have worked well together in the past and I think while you’re traveling it’ll just look less conspicuous if it looks like you’re a couple. As I said, this all could turn out to be nothing, but it’s for the best if Adhira’s with you.”

“Fine. So what’s next?”

“Here are your tickets to Honolulu. Adhira’s already there. She’ll pick you up at the airport.”

“Okay. You got it.”

To be continued tomorrow…

Thank you for reading my blog. Please read, like, comment, and most of all follow Phicklephilly. 

You can check out my books here: https://www.amazon.com/s?k=charles+wiedenmann&ref=nb_sb_noss_1

Wildwood Daze – Betty Ann – Part 2 – Infatuation

If you missed Part One, you can read it here.

Spring  1984 – Wildwood, NJ

I was 22 years old.

Like any job when you work with men, we always have our favorite female customers that come in. Everybody had their favorites, but there are always the top 5, top 3, and number 1. I know it may sound silly or sexist, but it’s really just something men do. I’m sure women do the same thing as well. That certain guy that comes in with the shoulders, eyes, or voice that makes you weak in the knees when he comes in your store to buy or rent something. It makes any job more fun.

But there was this one lady that came in that I absolutely adored. She was petite, with lovely caramel skin and raven hair. Her name was Betty Knight.

Not Elizabeth.

Betty.

I made it known to my male coworkers that she was my number 1. They all agreed she was one of the prettiest women that came into our store. No one knew much about her other than the fact she was beautiful, over the age of 30, and had a little daughter. Just a lovely lady who periodically came into the store to rent movies.

There was this black guy I worked with named, Tyrone. He was in perfect physical condition. I remember the guy just being in incredible shape. He could just grab onto any secure object from above and pull himself up in the air. You could wash clothes on this guy’s abs. I was always envious of guys that looked like that. Anyway, he was a sweet guy who had a goofy sense of humor.

He liked silly jokes and pulling pranks. One time I was putting away some of the video boxes on the shelves in the library. I was reaching up high to put a box on a shelf and Tyrone snuck up behind me and tickled me. I was not only surprised, I accidentally farted. I was embarrassed, but Tyrone thought this was the funniest thing he’d ever seen. He joked and kidded about it with me for the rest of the week.

I didn’t really mind, because no one else was around when he did it, and he didn’t tell any of my co-workers.  He simply enjoyed juvenile humor. I liked him so I took it in stride. Just locker room horseplay among guys working together in a boring retail job. Let’s face it, farts are funny.

He knew I liked Ms. Knight because when she would come in I always said that I’d wait on her. I would fuss over her and go above and beyond on the charm and customer service. I don’t know if she realized it at the time, but I simply did it because I thought she was gorgeous, and enjoyed engaging her in the store. Any excuse to chat with her and be near such an ethereal beauty.

Thursday

One morning I was working the day shift with my man, Tyrone. We were just working the counter, chatting, and watching videos on MTV. (Which ran all day, every day at the store.) Betty came in to drop off some videos and get some more. Of course, I greeted her and did intake on her returns. She then went back to the library section to look for more movies.

When I looked at her account I noticed she rented The Little Mermaid on a regular basis. Now, this isn’t the one we’re all familiar with. This isn’t the animated Disney classic that my daughter grew up on. This was a cartoon made back in 1975, and one of several titles that found its way onto home video in the 1980’s. I’m talking some Hans Christian Andersen stuff here.

Amazon.com: Hans Christian Andersen's The Little Mermaid: Fumie KASHIYAMA, Tomoharu KATSUMATA: Movies & TV

Not many people have ever seen this relic, but back in the mid-’80s, you couldn’t get many Disney titles back then. They hadn’t made the leap to home video yet. I knew a guy I worked with who had a bootleg of Disney’s Pinocchio back then. That was a rare and illegal copy of the film. The video and audio were poor quality, but it was still Pinocchio and a watchable dub.

We chatted a little bit when she returned to the counter to rent her movies. I mentioned to her that I noticed that she rented the Little Mermaid quite often and that if she wanted we could order her a copy for purchase and it would only be around forty bucks. I even told her I could hook her up with a discount. She said she’d think about it.

The transaction passed without incident and she was preparing to leave. Then Tyrone suddenly said the following words:

“Charles likes you, Miss Knight!”

I was mortified. I couldn’t believe the unmitigated, awkward, audacity of the outburst. Was this something he did to his friends? Just outed their private romantic feelings to whomever? It was insane.

“Shut up, Tyrone!”

She simply smiled and I was so embarrassed I could barely look up from the counter. She gathered her things and walked out the door, smiling and saying goodbye.

“What the hell, man?”

“What? You know you like her!”

“But you didn’t have to tell her! I don’t know anything about this woman! It’s weird, dude!”

Tyrone just laughed it off and went back to stocking the shelves.

A week or so passed, and I was working at the counter with a different guy who worked there. That’s when the phone rang. My co-worker was waiting on someone so I answered it.

“Thank you for calling Home Video Centers, this is Charles. How can I help you?”

“Charles. Just the person I want to talk to. This is Betty Knight.”

(My heart rate speeding up…)

“Oh… Hi Betty. What can I do for you?”

“I thought about what you said, and I want to order the Little Mermaid for purchase. Can you order it for me?”

“Sure! Let me just write that up and take some of your information for the order.”

I do that and then… “We’ll probably get that in a week to ten days, and I can probably get you a discount. Is there anything else I can do for you?”

“Umm… would you like to get together sometime?”

My brain almost couldn’t process the data that was coming through the phone into my ear. I nearly threw the receiver into the air thinking this was some sort of spell that had been cast upon me by evil wizards and witches.

“Uh… yea. Sure…” (Anxiety raced through my system like a freight train.)

“You have my address and phone number. Are you working Saturday?”

“No…”

“Why don’t you just come to my house on Saturday around 2pm. Can you do that?”

“Yes, I can Betty.”

“Bring over a couple of tapes. I like Rod Stewart. Bring over one of his concert videos and maybe something else. Do you have any suggestions?”

“Uhh… how about Eddie and the Cruisers. That’s a great movie.” (trembling)

My mind is reeling at a million miles per hour. Dopamine is searing my brain as it explodes and blooms like a flower in my cerebrum.

“Great. Call me before you come, okay?”

“Sure thing, Betty.”

“Great. I’m looking forward to seeing you, Chaz.”

“Umm… you too. See you then.”

She hung up and I had to step away from the counter. I had to go outside into the parking lot to process what the hell just happened. I lit a cigarette. How was this possible? She’s like the hottest woman that comes in here! Why me? This almost seems like a prank. It can’t be real. It can’t be happening to me! I’ve lived a charmed life since I was 15 years old, but I don’t remember anything about me getting wishes granted. Had I somehow accidentally made some pact with the devil for my soul one night while I was drunk? This can’t really be happening.

But it was happening.

It was real, and it was on.

More next Tuesday!

Check out my latest book, LAWNDALE on Amazon!

It’s chock full of stories from my youth growing up in Northeast Philly in the 70s!

Thank you for reading my blog. Please read, like, comment, and most of all follow Phicklephilly.

You can check out my books here: https://www.amazon.com/s?k=charles+wiedenmann&ref=nb_sb_noss_1

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Wildwood Daze – Betty Ann – Part 1 – Home Video Center

Winter 1984 – Wildwood, NJ

Upon my return from California after failing to become a metal god, I took a job as a sales clerk at Home Video Center in Northfield, NJ. The last job I had in Los Angeles was at a video store called Videon. It was a new idea back when VHS & Beta were in their infancy. The owner of a chain of stores in LA called Music + decided that home video was going to take off and wanted to create a new line of stores that catered only to video. So I had a little experience in a new industry.

I was 22 years old.

It was a fun job, and I liked the people I worked with. We had 500 titles in both formats, VHS and Beta. We carried, all kinds of titles. Drama, comedy, horror, thrillers, kids movies, and also adult titles. (The adult titles were all stashed on the very top of the shelves so kids couldn’t see them.) It was funny how people rented pornography back then. There was no internet, and the only place you could view porn back then was in magazines, or some sleazy adult theater or peep show in a rough part of the city. Now video brought pornographic movies right into the homes of America for the first time. It was funny when people would rent porn. They would get a few legitimate titles and the porn box was always at the bottom of their stack or sandwiched in the middle. They had to hide their desires. But we were trained to be professionals and after a while you ring up the titles like anything else you do in a job. It’s simply another transaction. Like when I worked in a bank. The money loses it’s meaning because it’s just part of the job. You might as well be handling lettuce. The companies that made porn videos back then must have made billions of dollars. They already made their films on the cheap. (Every movie is about the same thing) and they already had all of the films, so they just attached themselves to a new delivery system to get their products into the hands and pants of America. But surprisingly, adult titles were a very small part of what we rented. People wanted quality films they could enjoy at home with their family and friends. It was a good job. We were selling entertainment. That’s a good thing. (But, please, be kind, and rewind the tape when you’re finished watching it!)

They had more movies in one place than I had ever seen. It was amazing, because we could rent up to three movies at a time for free. I saw so many films I had been dying to see for so many years and this was a huge win for a film guy like me. Home video changed the way people got their entertainment. We were no longer chained to local programming and cable TV. We could watch what we wanted when we wanted for a fee. This was the beginning of the way we get our entertainment today.

Here’s a post I wrote a while ago about how wonderful that experience could be when shared between family members.

My Father’s Chair

I worked the rental counter with a few other people, and they had one or two sales guys that sold VCRs, TVs and video cameras. When I think about that technology now and how groundbreaking it was, it all seems so ancient now that I can do all of the things that all of those machines did with my cell phone.

There were five owners, and they banked at First Fidelity bank where my dad was a regional manager. He got me the gig at Home Video Centers. Again, my father helping me find gainful employment. He told me to go apply and they naturally hired me. It’s funny how history repeats itself. My dad got me the job at Hunt’s Pier, Home Video, and later Circle Liquors. I got my daughter the hostess job at The Continental when she first moved to Philly in high school, then the gig at Bar Bom Bon, and later a part-time position at a local smoke shop during the pandemic. So it goes full circle. My father led by example, and he taught me to walk where he walked… not where he pointed. I’ve tried to do the same for my daughter.

The other four owners were silent partners. Brad ran the operation for the stores. (We also had a site in Vineland, NJ.) They had a manager that was in charge of the staff, named John. A cool ex marine that had a humorous intensity about him. I really liked him. I’m pretty sure he was married to Brad’s daughter and that’s how he got the job. Speaking of family, one of the partner’s daughter’s worked there too. Her name was Valerie and we used to call her Video Val. (I think because her monogrammed  license plates said that.) She was a sweet girl who loved all things Madonna. I mean, LOVED Madonna like I loved Aerosmith. So I got her passion. For those of you who didn’t grow up in the 80s, Madonna was the Britney Spears of the music scene back then.  I remember taking Val out for some gin and tonics and then we wet to see the film, Suddenly Seeking Susan, a movie that Madonna had a small part in. Val always liked me and we were good friends back then.

It was a good crew of people. The one owner Brad was in and out, or up in his office. John managed the place and there were a few guys who worked in the repair shop in the back. Can you imagine that now? There was a whole workshop back there where a few tech guys would repair and clean ppeople’sVCRs. I remember some guy brought in his front loading betamax and said it  something was wrong with it because he couldn’t put a tape in it. When the guys opened it up, they found a little toy car inside that his son had put inside it thinking it was a garage for his matchbox cars.

Sony Betamax ARABIA SL-T20ME RED PAL & SECAM Beta auto voltage *free shipping*

I have to admit, it does look like a little garage door on the front. You could jam a whole fleet of Hot Wheels in that thing. I’m sure the man wasn’t pleased.

It was a good group of people working together in a relatively new industry. I remember when I was back in California I went to a party at some rich dude’s house and he had a VCR. Nobody I knew had one of those back in 1982. It cost him around $1500 back then. It was new desirable technology back then and they could charge what they wanted for it.

We also sold some of the old big screen rear projection TV sets. That was an amazing yet primitive hunk of furniture and technology. They made them 36 inches up to around 40 inchesscreen-wisee back then. They were thousands of dollars but we sold a lot of them. Back then it was the best way to watch a movie at home or a sporting event. Some of them weren’t that bad, (Sony, and Mitsubishi made the best ones of course) but most of them really didn’t have much clarity as classic tube sets of the day. Little did we know that one day you could have a 50 inch flat screen that you could hang on the wall for around $300 from Walmart!

I remember one day this guy came in and there were a couple of us guys hanging out on the sales floor. The conversation went like this:

Guy: “Do you guys sell anything that I can use to get stains off abig-screenn TV?”

John: “Hmm… I could check in the back.”

Guy: “Okay.”

Me: “Actually, we have a product like that. It’s called, “Cums Off.”

We all burst into laughter, including the guy, who got the ‘big screen, you’ve been watching too much porn reference.’

Me: “I’m sorry sir, I just couldn’t resist. I would just turn off the set, unplug it, and use a little light soap and water on a cloth. Wipe the screen down vertically.”

It was a riot.

Working at Home Video Venters was a cool job. I watched all of LIVE AID while at work. It was on every TV all day and a magical day for a musician and music lover like me. It was amazing to watch all of the music stars of the day rock out in an all day live concert up in Philly.

I saw the whole MOVE thing happen in Philly as well at Home Video Centers. I watched as they burned down Osage Avenue on 30 TVs around the store.

I learned everything there was to know about VCRs, VHS, Beta, and wiring up audio and video systems to work together. I once rewired an entire media room including all the HIFI aspects of the system to make it all sing together in one room.

I saw my first Pioneer laser disc. I saw my first compact disc at that job. I remember putting the demo disc in a CD player in a 100100-wattstem and hearing the band Rush’s song, Tom Sawyer for the first time digitally. I was blown away by the power and clarity and sound of this new technology.

Plus, I’m surrounded every day by bunch of people who love film and watching movies. I remember going to see Hitchcock’s, The Man Who Knew Too Much with a buddy of mine at a small revival theater. It was amazing. I had never seen any older films in the theater in my life. Only new stuff. Just brilliant!

Oh, Betty? I’ll get to her in the next installment. Tune in next Tuesday. I’ve had too much fun writing about the video store!

Check out my latest book, LAWNDALE on Amazon!

Thank you for reading my blog. Please read, like, comment, and most of all follow Phicklephilly. 

You can check out my books here: https://www.amazon.com/s?k=charles+wiedenmann&ref=nb_sb_noss_1

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California Dreamin’ – VIDEON

Santa Monica, CA – 1983

I always loved music and films, so at some point, I decided that working in a music store would be better than working at a restaurant. I applied at several around Los Angeles and got an interview with a chain called Music Plus. They sold albums, tapes, videos, and concert tickets. I remember acquiring tickets to see David Bowie on his Serious Moonlight tour from there! But that’s another story.

Here’s another author’s memories in regard to Music Plus:

https://www.championnewspapers.com/opinion_and_commentary/chino_memories/article_4d1201f6-23d7-11e8-88aa-9faa52530da0.html

They liked me well enough but told me they didn’t have anything available in their music stores. But they were opening a flagship video store on Lincoln Blvd. in Santa Monica.

I knew that VHS and Beta were emerging in the home video market and thought it would be a cool job. Music Plus was a retail chain around LA, and since video was growing they decided to designate a whole store to just videotape sales and rentals.

It was a great idea at the time and the owner was truly a visionary for coming up with the idea. (We all know what happened in the coming years with the arrival of Blockbuster, but this was at the very beginning of the home video craze.)

VCR’s cost over $1500 back then and were the size of old electric typewriters. They weighed a ton and I think Beta was the only format in the beginning. Sony invented Beta and VHS but Beta was the better format. More compact with a simpler mechanism with better sound and video. They sold off the rights to VHS because it was inferior. But more companies bought it up and started making VHS VCRs like crazy. VHS ultimately won out in the format wars simply because more companies manufactured the machines and they were more available to the public. Funny, how the superior format failed to the inferior one simply based on availability. Man-made selection at its best!

I was 20 years old and just happy to not be working in a hot, sweaty kitchen in a bar and grill until midnight every day. This was a cool, clean job in a new industry.

The day manager was this super French guy who was easily well into his forties. He knew a lot about film and especially foreign films so that was cool. In the evenings they had another manager named Renee who was probably around twenty-five. She was short with brown hair and eyes. Kind of cute, but that was ruined by her bitchy personality. She seemed over her head in the position and was always short-tempered and stressed. She was always scheduling me to close with her because she liked me. Even though she was cranky a lot of the time, I knew she dug me. She would always ask me to smoke a joint with her out in the parking lot after work. I obliged because I figured maybe she’d be nicer if I hung out with her.

One night that parking lot smoke turned into a bit more and we ended up back at her place. I was young and didn’t possess the moral compass I have today. (Come on… who am I kidding? You’ve read this blog.)

There was one other girl who worked there most days with me, who was the quintessential 80s girl. (Think one of the members of the band The Go Gos) She was after me as well. Where were all the available men in LA back then? Nothing ever happened between us because I just wasn’t that into her. She seemed weird.

We had a good time working there and it was fun being around all of those movies all day. I learned a lot about film and the video industry working there. The whole store was arranged by studio, not by subject. So we had a section for Warner, Paramount, Twentieth Century Fox, etc.

The best part was, at lunch you could go in the back and watch a video while dining on your sandwich.

But here’s the interesting part. This was a legit spin-off from a big music store chain. Everything was above board. For the most part.

You won’t believe what the home video experience cost back then. It was a fledgling industry and everything was new, so that means expensive. The machines were a fortune, and the tapes were really pricey as well. Most videotape movies started at $59.95 to purchase. But we did have a rental program. It was $100 to join and to rent a movie it was over $20 and you had to leave a huge deposit on your credit card every time you rented some movies. Isn’t that crazy? It was like renting an automobile!

I remember when Raiders of the Lost Ark came out on videotape. It had made so much money worldwide, they released it for $39.95 on VHS and Beta. This was unheard of. A groundbreaking low price for a blockbuster film.

Next was the making of Michael Jackson’s Thriller video and the music video all in one tape. That was released for only $29.95. The lowest price ever offered for a home videotape ever. We sold the hell out of them.

There were NO Disney titles of any kind on VHS and Beta. I think they were waiting to see what the NEW format would do for their stockholders. (Now they own everything!)

We didn’t have hundreds of copies of popular movies back then. Most of the films available were from the past. So everything in the store was from the 70s and back. New movies were in the theaters and it would be years until they landed on video. But there were plenty of great films to watch. But the only place I could check out titles was during lunch in the back.

But here’s the twist to this upstanding business called VIDEON. We sold the occasional tape to some wealthy people who wanted to own some quality films to show their friends and family.

Home video was in its infancy and it was like the wild west back then. Here’s what they did at VIDEON. Say, someone rents a few films. They watch them and return them after the 3 day allocated time. We take that tape in the back room. There is a table with a spool of shrinkable cellophane on a roll and an industrial blow dryer. We rewind the tape and rewrap it in our own little shrink wrap. We sear the creases on the spool so it seals the wrap. We then hit it with the blow dryer and that shrinks the wrap so that it clings to the original box with the tape in it. Does it look brand new? Does it look like it came from the factory? No. But do the customers know that? No.

So basically they were renting movies all the time and then repackaging them and selling them as new to unsuspecting customers. I wasn’t comfortable with this practice because it just didn’t seem right. People were tricked into thinking they were buying something brand new and paying the top retail price. But in actuality were being sold a used product. That smells like fraud to me. It had to be illegal. But like I said, back then it was the wild west. I was getting a paycheck every week so I never said anything about their diabolical criminal enterprise.

The way to tell was, I knew what the rewrapped shrink wrap looked like, and if you looked through the window on the tape, the tape on the spool was slightly uneven. When they’re new, this is not the case.

I don’t know what happened to that company, but I’m sure they were devoured by Blockbuster some years later. (It was the last job I had before leaving California)

It’s funny how when something’s new, it costs a fortune and feels so exclusive. But in a few years, it’s all cheap and available to everyone. Now, it’s all gone. You can simply stream everything. DVDs aren’t even a thing anymore.

But it was a fun job and a peek at was to come in the world of home video in the future.

I recommend you watch the documentary The Last Blockbuster on Netflix. Very interesting. The best bits are about the business and corporate end of that industry. The rest is just a bunch of self-absorbed clowns talking about their love for Blockbuster and home video.

But I will say this one last thing. I do have some wonderful memories of picking up my little daughter on a Friday night and heading over to the local Blockbuster. We’d pick out some movies, popcorn, and candy for the weekend. It was a fun ritual that just about everyone I know once did together.

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You can check out my books here: https://www.amazon.com/s?k=charles+wiedenmann&ref=nb_sb_noss_1

Wildwood Daze: At The Drive In

Wildwood, New Jersey – Summer, 1981

First, a little history…

The Wildwood Twin Drive-In owned by Fox theaters of Philadelphia opened on July 28, 1950, as a single-screen drive-in. In 1976 a second screen was added. This drive-in had a capacity of 470 cars.

The Wildwood Twin Drive-In closed after the 1986 season. The original address was Wildwood Boulevard (Route 47) at exit 4A of the Garden State Parkway.

The drive-in theater was the idea of Richard M. Hollingshead who opened the very first drive-in theater in Camden, New Jersey on June 6, 1933. It wouldn’t be until 1950 that Cape May County would have its own drive-in movie theater. Mel Fox, of Fox Theaters from Philadelphia opened the Wildwood Drive-In theater on a 13.5-acre lot on Wildwood Blvd., in Rio Grande. With space for 470 cars, a Simplex X-L projector and a sound system with Simplex in-car speakers, the drive-in was ready for its grand opening, Friday, July 28, 1950, with the showing of “I Wonder Who’s Kissing Her Now.” The box office opened at 7:30 pm with a 60-cent admission per car. Free popcorn was given to everyone on opening night. They ran two shows each night during the week and three shows nightly on weekends. The property was sprayed with DDT every week. Sometimes every night! (Darn mosquitos!)

In the Fall and Winter of 1981, my father taught me how to drive. We would go out each morning and I would practice driving our 1969 Volkswagen minibus. It was a four-speed manual transmission and had a blind spot on the back right quadrant of the vehicle. So it was fun to try to parallel park that sucker. Especially fun was learning how to K-turn the van. Each street had a crown for water drainage in Wildwood, so the vehicle would roll and stall out all the time as I struggled with the gas, clutch, and brake. But in time I figured it out, (with my father’s patience) and soon I could hold the van on a hill and even roll it back and forth on the incline using only the clutch and brake.

I passed my driving test and my dad gave the van to me. You can read all about the history of that family vehicle in the links in the above paragraph.

The Summer came around and I now had possession of the van. One of the first things I wanted to do was take my friends to the drive-in movie out in Rio Grande off the island. I always loved movies and especially horror movies so it was a natural progression for me to want to hang out there.

We’d drive out Rio Grande Avenue which turned into route 47. Delsea Drive as it’s better known. The reason route 47 was called Delsea Drive is that it runs from the Delaware River to the Atlantic Ocean. (Get it? Delaware to the Sea. Del-Sea!) When you passed the bay and the grassy sound and you’d arrive out in Rio Grande on the mainland. There were shops and roadside vendors and even a little mall out there. (It was more like a small enclosed shopping center) There were a few old motels out there and maybe a trailer park or two but what stood out was on the right was a drive-in movie theater.

I had heard of them as a kid and thought it was a cool idea. Just sit in the comfort of your car and watch a movie. You could eat drink and talk and nobody would bother you. When I was a kid I would sometimes see the big screen of a drive in while we passed it at night in the car. I just thought I had to experience that one day. So once I had the van, I was going to make that happen.

We pulled the van off the road and into the entrance through a grove of trees. Sort of like a little tunnel of trees that you had to drive through to get to the box office. The path was littered with broken seashells that crunched under your wheels as you rolled up to buy your tickets. It didn’t cost that much and people were always sneaking their friends inside the trunks of their cars. But we had the van and all they had to do was look inside and see who was in the car. As I said, it was cheap and we didn’t mind paying for whoever was in our crew.

We’d get there at dusk just to get a good spot and hang out a bit. It was cool. the surface of the lot had these humps of dirt built up that you’d pull your vehicle onto just to raise the nose of your car to point the car toward the big screen. You’d pull your car up to one of the speakers that hung on poles that were stuck in the ground all over the lot.

Drive-in Theaters Start Kickstarter Campaigns, Ask for Donations to Pay for Digital Projector Conversions | TIME.com

They were these big metal waterproof portable speakers that you unhooked from the pole and then hooked them on the edge of your driver’s side window. It had a volume control on it and that was it. Many of them didn’t work or were badly oxidized from being outside for years. But for the most part, they did their job. You don’t go to the drive-in for a rich film experience and superb audio quality. You go to the drive-in for the fun of it.

A lot of people back then would bring their kids with them. The parents got a night out and didn’t need a babysitter because most of the time the children would pass out and sleep in the backseat of their car or station wagon by the second feature. But for the most part, it was young people and teenagers like us just looking to do something different on a summer night. (You can only have so many nights on the boardwalk and in the nightclubs before you need a break!)

By the time we arrived at this drive-in, it was already 30 years old and its best days were behind it. The screen was a little banged up and so was the old wooden plank fence around the lot. But here’s the cool thing about that. Once night fell, you could walk over to the fence toward Delsea Drive and slip through a hole in the fence behind whatever stores aligned the fence. So we’d go over there and zip through the fence and no one would see us. Once outside the lot, we’d walk about 30 yards to a roadside liquor store and grab a few 8 packs of Miller ponies. We didn’t drink much back then and those mini beers were enough for us, and they were small enough to stay bubbly and cold on the floor of my van. We’d sneak back under the cloak of darkness and have our beer and snacks for the show. I wonder now why we didn’t just buy the beer in Wildwood, hide it in a cooler in the van and then go to the drive-in. Maybe we thought they would check the car and I know there was a “no alcoholic beverage rule” in place at that theater. So maybe that was it. But it was actually more exciting to pull a caper and sneak through the fence and get our beer.

We’d hit the snack bar and try not to get devoured by the hordes of mosquitos that ruled the place at night. I remember keeping a can of OFF behind the seat of the van just for that reason. We’d buy popcorn, nachos, soft pretzels, and whatever other kind of junk food they sold there. We’d load up and head back to the van.

I found this great video of intermission shorts on Youtube. I love how it takes me back to being at that beat-up old drive in theater. The campy voiceover, the crap animation, the photos of the “delicious” food which was terrible and even looks bad in the photos! Such great memories!

Once it was dark, usually just before 8 pm, the first feature would begin. As I said, the place had already been there for 30 years and all they normally showed at that theater during the week was horror movies. Mostly slasher films from the late 70s which were all the rage since the inception of John Carpenter’s Halloween. (I remember one evening we laughed through  Bucket of Blood and Demonoid!)

We loved it. Most of the films were bad but made in earnest by the filmmakers. We didn’t care. We’d watch them and eat, sip cold beer, and smoke cigarettes, and were in our teenage glory.

One night I recognized my friend Joe’s (Best bassist on the island) car a few yards ahead of mine. I thought I’d walk over and say hello. I tried to peek in the window, but they were all steamed up. I tapped on the glass and the back window rolled down. Then I saw my pal Joe with his shirt off and beneath him lying on her back was some pretty girl. I quickly backed away from his vehicle and apologized for interrupting his movie experience. (Which neither of them were watching!) So I realized that the drive-in was a cheap, mobile hotel for amorous couples!

One of my most enduring memories of that place was in 1984 when I took my girlfriend Betty Ann to the drive-in. She had never been to a drive-in movie so it was all new fun to her. We pulled up in her blue BMW 5 series and had a grand old time. We drank beer, smoked pot and saw Footloose and Indiana Jones and the Temple of Doom, which was a fantastic night. She loved it and I found out first hand that the windows really do steam up pretty quickly! (I’ll be covering the full Betty Ann saga in a series this fall, so stay tuned!)

Once a group of us went to the drive-in and I pulled the van up on the hill sideways. I opened the sliding door on the right side and the passenger door next to me. I passed around the can of OFF spray and everybody grabbed a beach chair I had brought and sat outside the van. I went over to the two speaker poles that were at each end of the car and left them on their poles and just cranked up the volume on each one. So we had four speakers going. We all camped outside around the van and could hear the show. They played the film Purple Rain and everybody went wild over that. It was a spectacular night of music and laughter. (After that, who didn’t want to cleanse their soul with Appolonia Kotero in the waters of Lake Minnetonka?)

Years later they tore it down and put up a shopping center and if you went out there now you’d never know the place ever existed. The advent of home video rentals killed the drive-in movies.

It now lives only in my memories.

I’d love to hear your comments on what your experiences were at this amazing place!

Check out my new book, LAWNDALE on Amazon. It’s packed with stories from my youth growing up in Northeast Philadelphia!

My next book, DOWN THE SHORE, a collection of stories from my summers in Wildwood in the 70s will be released in May of 2023!

Thank you for reading my blog. Please read, like, comment, and most of all follow Phicklephilly. 

You can check out my books here: https://www.amazon.com/s?k=charles+wiedenmann&ref=nb_sb_noss_1

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