Tales of Rock – Badfinger

Badfinger should’ve been a huge success story, but instead became a cautionary tale for the myriad ways the music industry exploits and throws away so many talented but naive artists.

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Possibly the most heartbreaking story in rock and roll happens to have happened to one of the best bands in its history.

Badfinger should’ve been a huge success story, but instead became a cautionary tale for the myriad ways the music industry exploits and throws away so many talented but naive artists. After supporting major outfits including The Yardbirds, Pink Floyd and the Who, the band — then named the Iveys — was picked up by manager Bill Collins in 1966. It was a move that would help them reach early stardom and contribute heavily to their downfall. Ray Davies of the Kinks recorded three early demos, which Collins managed to get to Apple Records; Badfinger signed with Apple in 1968, making them the first band that wasn’t the Beatles on the label. After a lineup and name change to Badfinger, Paul McCartney penned their first hit, the timeless power pop classic “Come and Get It.” (Written for the soundtrack of The Magic Christian, a loopy, cameo-filled British comedy starring Ringo Starr and Peter Sellers that’s worth watching for the sheer absurdity of it all.) The song became an international hit. The band’s two primary songwriters, Pete Ham and Tom Evans, also wrote “Without You,” a standard since covered by more than 180 artists, including Shirley Bassey, Andy Williams, Frank Sinatra and, perhaps most famously, Harry Nilsson and Mariah Carey.

George Harrison had them play on his 1970 album All Things Must Pass and featured them as part of his backing band at The Concert for Bangladesh in 1971. The point is, Badfinger should’ve been rolling in dough, their names solidified among rock’s most important acts. But taking manager Collins’s advice, the band trusted their money to an American businessman named Stan Polley who absconded with their funds, leaving the band in contractual binds that made it virtually impossible to continue on their own.

Lead singer Ham — by all accounts, an incredibly sensitive, sweet man who believed to the very end in Polley’s honesty despite all indications otherwise — hanged himself shortly thereafter. (Polley, in a move that even most scumbags would be disgusted by, tried to cash in on Ham’s life insurance.) Inconsolable and unable to restart his own career in music, Tom Evans — who reportedly said numerous times over the ensuing years that he wanted to be “where [Pete] is” — also hanged himself eight years later. Badfinger finally got a sliver of the rediscovery they deserve when their 1972 song “Baby Blue” was used in the series finale of Breaking Bad. The nod helped the song’s Spotify streams jump an astounding 9,000 percent in the hours after the show ended, and to sell 5,000 copies of the single on iTunes in a single night.

 

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